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Title: 3rd Degree
Author: James Patterson and Andrew Gross
Genre: Procedural mystery, 3rd in series
Thingummies: 3

Synopsis: The Women's Murder Club faces a left-wing terrorist band leading up to a global economic forum. And one of the club members is a target.

Thoughts: James Patterson is basically running a mystery novel factory, and it shows in this book. The novel goes through the motions acceptably enough--there are clues and ratcheting tension and figures come back from the past and deaths of people close to the protagonist and a love interest. But the entire thing feels rather formulaic and thin.

Somehow, despite shocking revelations and stunning returns from the dead, you're never quite shocked or stunned. There isn't enough of an emotional connection established to make a reader sympathetic to the allegedly chilling revelations. A major character dies and it doesn't feel particularly traumatic. A romance proceeds far too easily. I figured out the mastermind far too easily, and the climax somehow fizzles.

The weird structure doesn't help. There are four women in the club. One is a first person narrator for about a quarter of the chapters. The rest of the chapters are third person narrations following the other women, suspects, victims, what have you. I really don't understand why it switches from first to third--either follow all the characters in third, or stay in first person and deal with the limitations it imposes. It feels like a cheap trick to make you care about the protagonist, instead of actually writing the protagonist to be likeable.

Similarly annoying, many of the chapters are a page and a half long. And not every chapter changes viewpoint. So you have a short conversation, and then a new chapter with a minor action, and then a new chapter with a brief action scene, and then a new chapter with another short conversation. It's choppy and artificially induces page-turning.

Written too quickly, this novel tries to use cheap tricks and pyrotechnics to replace heart and detail. There's nothing wrong, per se, just nothing particularly great, either. It's competent, I suppose, but completely uninspired.

Date: 2011-12-08 06:53 pm (UTC)From: [identity profile] ivy03.livejournal.com
I wonder how influential Dan Brown was in popularizing short chapters in thrillers. Cause if you look at some of the older authors--mammoth. MAAAAMOTH. W.E.B. Griffin has sub- and sub-sub-chapters within each of his chapters, but even the smallest divisions are dozens of pages.

And of course Patterson's factory takes shortcuts. Look at how many books they put out in a year! They are the Mediaventures of writing.

Date: 2011-12-08 06:57 pm (UTC)From: [identity profile] jethrien.livejournal.com
I know. I think I'm done with Patterson. There are a million mysteries out there--I don't need to read ones I know will be shoddy.

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